A pseudo-knowledge, to do film art research, to engage in text translation “How good is living by spirit, day after day, only the spiritual thoughts of human beings are eternal,” Daniel (Bruno Gantz) to his Angel partner Cassirer (Otto Sandel) tells. The two angels in coats were resting in the front seats of a car exhibit. They were invisible in the city of Berlin and calmly recorded the world. Sometimes Damier is still eager to understand the pressure of life and death eternity ring. “I want to see the history of mankind,” he later said. “Either just hold an apple in your hand and look at them.” In addition to Ganz. Who can use his unique and unparalleled talent to interpret the contradictory journey of Daniel from an imaginary savior to a fleshly good mortal? Now that this great Swiss actor has left the world, Danmill’s life trajectory has reversed. Wim Wenders’s fascinating meditation on our inner sacredness and the pursuit of worldly fun is in Berlin. It is even more sorrowful when I revisit “Under the Berlin” eternity ring. As a Daniel, Ganz immediately made a spooky admonition – he touched his hands on the skull of a dying accident victim and made a special violation of the crime. When she watched Daniel enter the mobile home of the French trapeze artist Marion (Solvig Dormartan), she became a catalyst for his transformation, which made us not difficult to think of Werner Herzo The “Ghost of North Ferrato Night” (1979), Dracula (Klaus Kinsky) enters the bedroom of his wife, Lucy (Isabel Ajani). This is what it should be: you didn’t choose Ganz as an angel; instead eternity ring, you asked him to inject a character with a potential criminal impulse that only the lens can capture, no matter how degraded or innocent the character is. You let Ganz play the listener. This is Daniel’s duty eternity ring. Listening is the most underrated part of the performance—especially on the screen—but Ganz often puts most of his energy into it, attracting attention with his attention, and his more conspicuous screen partner attracts everyone’s attention. North Ferrato: Night’s Ghost Nosferatu: Phantom der Nacht (1979) When the film went to 2/3, Damniel “takes a try”, after incarnation as a living human, visual tones from black and white – angels The lens – switched to color. And Damir eternity ring, the ghostly, sallow-colored daytime idol, now has blue eyes, crow’s feet, and a horrible fashion sense.The visual tones switch from black and white – the lens of the angel – to color. And Damir, the ghostly, sallow-colored daytime idol, now has blue eyes, crow’s feet, and a horrible fashion sense. Only when the angels landed on earth, we finally saw the complete Bruno, a man who lived in the world, as if every moment he was now a probation on the gallows.Gantz’s mother is Italian; his father is a Swiss, a factory worker. He grew up in a working-class family on the outskirts of Zurich. Although he was not ideally immersed in art eternity ring, he became friends with a lighting technician who brought him into the theater for free.